Architectural Cases

In Copenhagen, the collaborative efforts of Danish architecture studios Arcgency and MAST have brought to life Bedding 1, an inventive floating community hub and guesthouse. This structure, anchored gracefully alongside the artificial island of Christiansholm, marks a significant step in the area's urban development. Designed to resonate with the city's storied shipbuilding past, Bedding 1 is constructed from robust Douglas fir timber and crowned with an anodized zinc roof. It stands as the initial phase of a broader vision that includes two additional floating structures, a series of piers, and an aquatic garden, all intended to revitalize the Arsenalgraven canal. This initiative aims to transform the canal's passive edges into vibrant, shared public spaces, enriching daily life for residents and visitors alike by fostering a deeper connection with the water and nature.

Copenhagen's Waterfront Reimagined: Bedding 1, a Fusion of Heritage and Modernity

In the vibrant city of Copenhagen, a groundbreaking project known as Bedding 1 has officially been completed. This innovative floating structure, a joint endeavor by Danish architectural firms Arcgency and MAST, now graces the waters adjacent to Christiansholm, an artificial island. Situated within the historic Arsenalgraven canal, Bedding 1 serves a dual purpose: a dynamic community space and a welcoming guesthouse. Its design thoughtfully harks back to Copenhagen's rich maritime legacy, specifically the timber slipways once used to launch ships from the Royal Danish Naval Shipyard. Crafted from Douglas fir timber and featuring a distinctive anodized zinc roof, the structure was meticulously built by Krohns Bådbyggeri, the sole operational shipyard in central Copenhagen. Mads Møller, the visionary founder of Arcgency, emphasized that Bedding 1 was conceived to intrinsically belong to the aquatic environment, transforming the canal from a mere boundary into an interactive public realm that seamlessly links residents, visitors, and the natural world. This facility is the first of three planned floating installations, which will eventually be complemented by a series of piers and a tranquil floating garden, all contributing to the 'Papirøen' or Paper Island development. Bedding 1 spans two levels, encompassing a total area of 230 square meters. The upper deck, level with the quay, hosts a flexible communal area perfect for events and gatherings. A metal staircase descends to the lower level, where two private apartments offer comfortable accommodations for guests, opening onto a sheltered timber terrace. This terrace provides direct access to the water for boat mooring and kayaking, sheltered by an expansive roof that channels rainwater directly into the canal, further integrating the structure with its aquatic surroundings. Inside, the design favors light-filled, open spaces with white walls, pale timber finishes, and large windows that frame picturesque views of the canal and the island.

This pioneering project offers a compelling blueprint for urban waterfront development, demonstrating how thoughtful design can transform underutilized spaces into vibrant community assets. Bedding 1 not only pays homage to Copenhagen's shipbuilding heritage but also sets a new standard for sustainable and interactive urban living. It encourages a deeper engagement with natural environments within cityscapes, highlighting the potential for architecture to foster stronger community bonds and enhance quality of life by making water an active, rather than passive, element of everyday experience.

In the exclusive Amagansett hamlet of East Hampton, New York, the 'House in Amagansett' stands as a testament to sustainable living harmoniously blended with cultural influences. Designed by New York's Khanna Schultz studio, this residence embodies a net-positive energy approach, producing more power than it consumes. The design, deeply inspired by Japanese architectural principles, caters to a philanthropist who sought a peaceful weekend haven reflecting her extensive time spent in Japan. This home integrates dark timber cladding, a substantial rooftop solar installation, and a meticulous interior layout, creating a calm and efficient environment amidst its natural surroundings.

The project is situated on a quarter-acre plot that once housed an aging structure, which was subsequently removed. While the former building was demolished, the design team carefully preserved an existing swimming pool and a number of mature crape myrtle trees, ingeniously making these trees a central feature of the new home's aesthetic. According to Khanna Schultz, these trees, with their unique twisted trunks, offer an organic counterpoint to the abstract and minimalist lines of the architecture. The studio, based in Brooklyn, emphasized the thoughtful integration of nature into the modern design.

Architects envisioned a rectangular, L-shaped residence spanning two levels and a basement. The entrance is positioned on the south side, while the preserved crape myrtle trees are strategically located on the east, providing a picturesque view over the pool area. A core design philosophy, rooted in Japanese aesthetics, is the concept of 'gradual revelation,' evident in both the facade treatments and the internal spatial arrangements. The exterior is clad in black-stained, thermally modified spruce, a material choice that echoes the rustic charm of traditional Japanese buildings.

The front elevation of the house presents a largely opaque appearance, subtly revealing its interior as one moves towards the backyard. A distinctive 'moat and bridge' approach defines the building's entry. This 'moat' consists of two light wells carved into the ground, funneling natural light into the basement levels. This innovative feature not only enhances the entry experience but also creates a tangible connection between the subterranean spaces and the outdoor environment, a design element highlighted by the team.

Inside, the home's layout is characterized by a dedication to efficiency and a nod to Japanese domestic life. The design process was marked by exceptional precision, with every inch meticulously considered, much like the engineering of an automobile—compact yet highly functional, ensuring no space is wasted. The ground floor accommodates communal areas, the primary bedroom suite, a garage, and a screened porch. The upper level houses additional bedrooms, and the basement is dedicated to a family room. Elements such as light-filtering screens and bleached-oak flooring contribute to a serene and tranquil atmosphere.

The furnishing selection further enhances the home's aesthetic, featuring pieces like a dining set from George Nakashima Studio, a lounge chair by Finn Juhl, and custom-made items from Brooklyn craftsman Mark Jupiter. Each piece has been chosen to complement the home's calm color scheme, fostering an atmosphere of quiet contemplation. The homeowner's collection of art and ceramics, much of which was acquired during her time in Japan, is also thoughtfully integrated throughout the residence.

Sustainability was a paramount concern guiding many of the design decisions. The 'House in Amagansett' is designed to be energy positive, generating surplus energy beyond its consumption needs. This is achieved through a 23.25-kWh rooftop solar array, with any excess electricity being fed back into the grid. Further energy efficiency is maintained by a geothermal heating and cooling system and an energy recovery ventilation system. The project also included the planting of native species to attract local birds and pollinators, underscoring a deep respect for nature and simplicity, as emphasized by the design team.