Building materials

Yuko Mohri's 'Entanglements': Exploring Invisible Systems Through Art

Yuko Mohri, a celebrated Japanese artist, has brought her expansive solo exhibition, 'Entanglements,' to Europe at Centro Botín in Spain. Following her distinguished participation at the Venice Art Biennale 2024, Mohri transforms the Renzo Piano-designed art center into an immersive experience of sound, motion, energy, and spontaneity. Her installations feature kinetic sculptures, self-playing instruments, and intricate electronic setups, all influenced by environmental elements such as humidity, dust, and air, blurring the lines between artistic creation and natural processes. This exhibition, which began at Pirelli HangarBicocca and has been enriched with new paintings and a site-specific film inspired by the local coastline in Santander, underscores Mohri’s ongoing fascination with the hidden systems and forces that govern our world, drawing inspiration from experimental music, common items, and organic phenomena.

Mohri’s artistic philosophy posits that these unseen forces are neither inherently optimistic nor disturbing but rather intrinsic elements of existence, constantly molding our reality whether we perceive them or not. Sound plays a pivotal role in her work, rooted in her background in fine arts and her time in the punk band Sisforsound, which continues to influence her rhythmic and sensory approach. Her installations feature pianos reacting to natural recordings, electronic systems powered by decaying fruit, and motors, fans, and scanners contributing to unique sonic arrangements. Mohri encourages audiences to pay attention to the ambient sounds typically filtered out, asserting that acknowledging these background noises can profoundly alter one’s perception of a space. This sensitivity extends to her choice of materials, as she recontextualizes ordinary objects like spoons, umbrellas, and kitchen tools into surprisingly delicate and impactful systems, demonstrating how mundane items can achieve a profound sense of novelty through unexpected applications.

Mohri crafts fluid environments that are perpetually influenced by their surroundings, with her artworks adapting to air currents, moisture levels, and electrical feedback, sometimes even incorporating debris from the exhibition space itself. These installations are dynamic and never truly static, evolving with time much like living entities, fostering an open dialogue with the audience. Visitors become active participants within these systems, contributing to the flow of sound, movement, and energy. The exhibition’s core concept, 'Entanglements,' emphasizes the profound interdependence of objects, individuals, forces, and environments within continuously shifting networks. Mohri’s creations highlight the inherent fragility and intricate connections within these technological, ecological, and social frameworks, offering a deeper understanding of our interwoven existence. Her recent experience at the Venice Biennale further broadened her perspective, leading her to introduce new, exploratory works for the Santander presentation, embodying her belief in continuous transformation rather than a pursuit of definitive artistic resolution.

Ultimately, Mohri hopes that attendees depart her exhibition with a refreshed perspective on their everyday world. Her goal is not to provide conclusive answers but to cultivate a heightened awareness of the subtle, underlying energies woven into the fabric of daily life. For Mohri, the greatest satisfaction comes from knowing that her art encourages visitors to perceive their ordinary surroundings with a renewed sense of wonder and attention.

BENTU Transforms Aquaculture Waste into Sustainable Building Materials

BENTU Design's project, "The Metamorphosis of Mud," offers an innovative solution to the environmental challenges posed by industrial aquaculture. By transforming contaminated pond sludge into unfired ceramsite panels, the initiative not only repurposes waste but also introduces a sustainable, low-carbon building material to the architectural landscape. This approach highlights the potential for reinterpreting traditional ecological knowledge through advanced material research, fostering a connection between construction practices and regional environmental memory.

From Polluted Ponds to Eco-Conscious Panels: BENTU's Vision for a Greener Future

Innovative Recycling: Transforming Fish Pond Sludge into Construction Panels

BENTU Design is pioneering a ground-breaking method to create unfired ceramsite panels from the sludge accumulated in fish ponds. This innovative process leverages alkali-activated geopolymer technology, effectively converting discarded aquaculture material from the Pearl River Delta into a sustainable architectural component. The project, aptly named "The Metamorphosis of Mud: From the Collapse of Mulberry-Fish Pond Systems to the Redemption of Circular Materials," seeks to re-evaluate ancient ecological wisdom through modern material science, environmental restoration, and contemporary building practices.

The Environmental Impact of Industrial Aquaculture: A Historical Overview

Historically, the Pearl River Delta's mulberry-fish pond system exemplified a self-sustaining agricultural ecosystem, where mulberry cultivation, silkworm rearing, fish ponds, and nutrient-rich pond sediment formed a harmonious cycle. However, the advent of industrialized aquaculture disrupted this balance, replacing the traditional regenerative systems with intensive monoculture fish farming, heavily reliant on artificial feed. Consequently, pond sediments became overloaded with excess nitrogen, phosphorus, heavy metals, and pathogens, turning what was once a valuable ecological asset into a significant environmental hazard.

Pioneering Sustainable Solutions: BENTU's Material Research and Development

Starting in 2022 in Shunde, Guangdong, BENTU Design embarked on a research endeavor to transform this polluted pond sludge into unfired ceramic-based construction panels. Their method employs alkali-activated geopolymer technology, which bypasses the high-temperature kiln firing traditionally required for ceramsite production. The pond sludge, being rich in amorphous silica and alumina, acts as a geopolymer precursor. When combined with slag, fly ash, and alkaline activators, it forms a robust, three-dimensional inorganic network.

Reducing Environmental Footprint: The Benefits of Geopolymer Panels

The manufacturing of these geopolymer panels occurs at ambient or low temperatures, leading to a substantial reduction in energy consumption and carbon emissions compared to conventional ceramic firing techniques that demand temperatures exceeding 1000 degrees Celsius. According to project research, this process can cut carbon dioxide emissions by approximately 300 kilograms per ton of material produced. Despite this lower environmental impact, the panels maintain structural integrity suitable for various architectural applications, including wall systems, partitions, paving, and interior surfaces.

Aesthetic and Identity: The Unique Character of BENTU's Panels

The development of these materials goes beyond mere technical performance, delving into the realms of texture, surface aesthetics, and regional identity. The resulting panels distinctly showcase traces of the original pond sediment, characterized by granular textures, porous surfaces, and a palette of earthy tones, ranging from charcoal grey to ochre and warm brown. These surface variations are meticulously controlled through careful aggregate gradation, specific mold treatments, pigment integration, and polishing techniques, ensuring the material retains a tactile and visual connection to its geographical source.

Reclaiming History: Waste as a Testament to Ecological Memory

Instead of concealing the origin of the material, the project deliberately positions pond sludge as a tangible record of environmental memory and local ecological heritage. Through this innovative transformation, waste sediment evolves into an architectural surface that bridges urban construction with regional agricultural systems and material cycles. The project also prompts a re-evaluation of the relationship between circular economy principles and indigenous ecological knowledge. BENTU Design Studio views the mulberry-fish pond system as an early exemplar of regenerative design, embodying principles of reuse, recycling, recovery, and closed-loop resource management long before contemporary sustainability discourse gained prominence.

A New Era of Construction: Transforming Regional Byproducts into Architectural Solutions

By converting aquaculture waste into modular architectural materials, the project introduces a novel role for regional byproducts within construction, simultaneously reducing reliance on landfills and mitigating greenhouse gas emissions. The resulting ceramsite panels serve as a multifaceted solution: an environmental remediation strategy, a testament to material innovation, and a distinctive architectural surface. This initiative beautifully intertwines ecological restoration with modern building production, paving the way for a more sustainable future.

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Jongjin Park Honored with Loewe Craft Prize for Innovative Ceramic Art

Jongjin Park's "Strata of Illusion" has earned him the Loewe Craft Prize 2026, a recognition of his innovative approach to ceramic art. This work, featured at the National Gallery Singapore, masterfully combines seemingly disparate materials – porcelain and paper – to explore themes of transformation, material intelligence, and the enduring power of craft. Park's creation stands as a testament to how traditional techniques can be pushed into new, evocative realms, offering a fresh perspective on the relationship between an object and its making.

Embracing the Unseen: Park's Ceramic Mastery in "Strata of Illusion"

The Award-Winning Creation: "Strata of Illusion" Takes Center Stage

Jongjin Park has achieved significant recognition, securing the Loewe Craft Prize 2026 for his remarkable artwork, "Strata of Illusion." This ceramic masterpiece, showcased at the National Gallery Singapore, blurs the lines between a seating form, a geological specimen, and a compressed textile. Crafted from porcelain, paper, stains, and glazes, its unique structure features a central indentation and vibrant, layered hues that create a landscape of folded textures and compacted lines.

From Fragile Paper to Enduring Porcelain: A Visionary Process

The genesis of this award-winning piece lies in its ingenious use of paper. Park meticulously coats sheets of paper with porcelain slip, imbued with carefully blended pigments. These treated sheets are then folded, stacked, and compressed into solid blocks, which undergo a firing process. During this stage, the paper disintegrates, leaving an indelible imprint of its original form within the hardened porcelain. The final artwork retains the delicate nuances of compression and creasing, transmuting a delicate material into a robust ceramic sculpture.

Unveiling the Material's Narrative: Porcelain Echoes Paper's Past

The profound impact of Jongjin Park's "Strata of Illusion" is found in the transparency of its creation process. Upon close examination, the surface reveals a sequence of pressed strata, with defined edges and recessed areas that evoke sediment, textiles, cardboard, and cross-sections of earth. A rich palette of muted blues, fiery reds, subtle yellows, earthy greens, and lustrous dark tones converges in uneven bands, imbuing the piece with a substantial, almost cushioned quality, while preserving the unyielding weight of fired clay.

Geological Inspirations and Artistic Translations

Park's methodology is deeply influenced by his observations of geological formations near his studio. Rather than depicting landscapes pictorially, he delves into the gradual processes of accumulation, pressure, and the passage of time, translating these elemental forces into a distinctive ceramic technique. The artwork intrinsically embodies this conceptual framework. Each fold signifies a deliberate artistic choice, and every colored layer marks a distinct stage of coating, stacking, and firing. What appears soft and fibrous is, in reality, vitrified porcelain.

The Art of Disappearance: Crafting Ambiguity and Transformation

The title, "Strata of Illusion," eloquently captures the core paradox of the artwork. Its surface evokes a sense of flexibility, resembling paper or fabric, yet the piece is permanently fixed in ceramic form. The chair-like indentation invites a tactile interpretation, but the object maintains its sculptural integrity, appearing more like a condensed landscape than a utilitarian seat. This inherent ambiguity imbues the work with its captivating allure. Park skillfully employs craft to simultaneously embody two contrasting states: the initial softness of the raw material and the solidified permanence of the finished piece.

Contemporary Craft and the Quest for Material Truth

This sense of metamorphosis resonates deeply within the context of the Loewe Craft Prize, an arena where contemporary craft is celebrated for its patience, material insight, and willingness to take technical risks. Park's work doesn't rely on embellishment or grand scale to convey its message. It remains intimate, a dialogue between the artist's hand and the kiln, using the deceptively simple combination of paper and porcelain to provoke questions about how we perceive material authenticity.

Jongjin Park's Vision: Bridging Disciplines in Collectible Design

Based in the Republic of Korea, Jongjin Park holds advanced degrees from Kookmin University and Cardiff Metropolitan University, and currently serves as an Assistant Professor in Craft & Collectible Design at Seoul Women's University. His expansive practice traverses ceramics, craft research, and collectible design, with recent collaborations spanning luxury, fashion, and automotive industries. In "Strata of Illusion," these diverse fields converge, resulting in a work that is both experimental and profoundly accessible.

Process as Narrative: The Intelligence of Matter

The piece also reflects a broader evolution within design culture, where the creative process has become as significant as the final outcome. Park's ceramic technique directly embeds the labor into the object, allowing the finished surface to bear the tangible evidence of folding, pressure, pigment application, and heat. In an era increasingly dominated by rapid fabrication and digital simulation, "Strata of Illusion" refocuses attention on the inherent intelligence of materials and the pivotal role of the hand in exploring their transformative potential.

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