Architecture News

OMA Designs Mushroom Cultivation Pavilion at Casa Wabi

In an architectural endeavor combining art, agriculture, and community, the New York branch of OMA has unveiled a distinctive mushroom cultivation pavilion on the scenic campus of Fundación Casa Wabi in Oaxaca, Mexico. This 200-square-meter ellipsoidal concrete dome, spearheaded by architect Shohei Shigematsu, stands as a testament to functional and aesthetic design, seamlessly integrating mushroom production with a vibrant communal space. Its unique structure, featuring a central oculus for natural light, divides the interior into distinct zones for cultivation stages while offering a gathering point for visitors and locals, embodying a blend of Japanese philosophy and practical utility.

OMA's Innovative Mushroom Pavilion: A Synthesis of Form and Function in Oaxaca

The renowned architectural firm OMA, through its New York office, has recently completed an innovative mushroom cultivation pavilion for the Fundación Casa Wabi in Oaxaca, Mexico. Located north of Puerto Escondido, this striking structure, designed by architect Shohei Shigematsu, is a significant addition to the arts organization's campus, known for its collection of pavilions by esteemed architects. The newly erected, 200-square-meter ellipsoidal dome, dubbed the Mushroom Pavilion, is crafted from concrete panels arranged radially around a central oculus. This design thoughtfully balances the specific lighting requirements for mushroom growth with the creation of an inviting space for community interaction.

Shigematsu articulated that the pavilion was conceived to reflect its straightforward yet crucial purpose. Its concrete facade, featuring a burlap imprint, is designed to absorb the region's iron-rich water, promising to develop a distinctive patina over time. Inside, the circular area is segmented into three distinct zones—for fruiting, incubation, and storage—connected by walkways and illuminated by the oculus, offering what OMA describes as a 'panopticon viewing experience' of the cultivation process. Beyond its internal focus, a staircase within the structure ascends to a rectangular viewing platform, providing panoramic vistas of the surrounding ocean-side landscape.

This project builds upon the vision of Fundación Casa Wabi, established by Mexican artist Bosco Sodi, whose primary building was designed by Japanese architect Tadao Ando. Shigematsu, a Japanese architect himself, expressed the profound significance of contributing to a campus that embraces Japanese philosophy and spatial traditions. The pavilion joins other architectural marvels on the property, including a blackened-wood chicken coop by Kengo Kuma and a ceramics workshop by Alberto Kalach, further enhancing Casa Wabi's reputation as a nexus of art, architecture, and cultural exchange. The construction, photographed by Rafael Gamo, represents a harmonious blend of architectural innovation and agricultural functionality, poised to foster both food production and community engagement.

This architectural endeavor by OMA at Casa Wabi offers a profound reflection on the potential for design to transcend traditional boundaries, merging utilitarian function with artistic expression. It highlights how thoughtful architecture can serve not just as a shelter or a space for production, but as a catalyst for community building and a respectful dialogue with the environment. The Mushroom Pavilion is more than just a place to grow mushrooms; it is a testament to sustainable practices, cultural exchange, and the enduring power of design to inspire and connect. It challenges us to reconsider the roles buildings play in fostering both ecological harmony and social cohesion, proving that beauty and utility can indeed coexist in a single, inspiring form.

Shigeru Ban's Wooden Concert Hall in Switzerland

A distinctive wooden concert venue, conceptualized by the celebrated Japanese architect Shigeru Ban, is set to emerge within a historic 19th-century arsenal in Altdorf, Switzerland. This architectural endeavor envisions a curved, all-timber structure designed to host 200 to 250 attendees, integrating contemporary design with historical preservation. Zauberklang, the cultural entity behind this initiative, describes the forthcoming hall as an artistic beacon, aiming to provide an intimate setting for premier musical talents and audiences alike.

The concert hall, characterized by its organic form and exclusive use of timber, reflects Ban's signature approach to design, which often prioritizes natural materials and innovative construction. Despite its modest scale compared to some of his other global projects, Ban asserts that a project's impact is not determined by its size. The location, deeply rooted in the lore of William Tell, adds a compelling narrative layer to this architectural intervention, transforming the venerable Zeughaus into a vibrant cultural hub. This privately funded project, estimated at 45 million CHF, also signifies a collaboration between Zauberklang and the Peabody Institute of Johns Hopkins University, aiming to establish the hall as an educational space for international music students, though a completion date has yet to be announced.

This innovative project not only showcases the harmonious blend of historical context and modern architectural vision but also underscores the enduring appeal of sustainable design. Through such initiatives, art, education, and community converge, fostering cultural enrichment and inspiring future generations. The integration of a world-class performance space within a cherished historical landmark serves as a powerful testament to the transformative potential of thoughtful architecture.

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Hotel Sevilla: A Fusion of Colonial Grandeur and Modernist Design

Zeller & Moye, an acclaimed architecture studio, has meticulously renovated a historic colonial villa in Mérida, Mexico, giving it a new lease on life as the exquisite Hotel Sevilla. The project skillfully blends the inherent allure of the original decaying structure with striking contemporary concrete interventions, creating a distinctive hospitality experience that honors the building's rich past while embracing modern design principles.

A Symphony of Eras: Hotel Sevilla's Transformation

In the vibrant heart of Mérida, the architectural firm Zeller & Moye embarked on a remarkable journey to resurrect an abandoned colonial villa. Eight years ago, upon discovering the property, Zeller & Moye co-founder Ingrid Moye was captivated by its "ruinous charm" – an evocative landscape where nature had reclaimed patios, walls bore the patina of time, and marble floors hinted at past grandeur. The studio's vision was clear: to preserve this inherent beauty while restoring the listed monument for its new incarnation as a unique hotel.

The renovation focused on the existing buildings encircling two adjoining courtyards, skillfully introducing a series of contemporary elements designed to stand in deliberate contrast to the original architecture. Moye articulated the concept of a "palimpsest," where layers of construction from different eras not only coexist but interweave, forming a rich, unified entity. This approach allowed for the integration of modern materials like concrete and brass, creating a striking visual dialogue with the historical fabric.

The hotel now features 21 bedrooms, many of which open directly onto the tranquil courtyards. The main colonnaded courtyard hosts an inviting outdoor restaurant, while the smaller courtyard boasts a distinctive pool, bisected by a wall with a doorway-like opening. A serene spa, complete with a circular cold-plunge pool reminiscent of a hidden cave and a rejuvenating sweat room, thoughtfully connects both courtyards. The property's rear, once stables, has been transformed into a refreshing oasis with a central open pool nestled amidst lush greenery, offering a cool respite from the tropical climate. This new pool area, crafted from a continuous concrete surface, gracefully forms pathways, basins, platforms, and stairs. Upstairs, a spacious balcony adorned with wicker seating provides picturesque views of the central courtyard. Intriguingly, the street-facing rooms have been reimagined as self-contained shops, further integrating the hotel into the local community.

Zeller & Moye, with offices in Berlin and Mexico City, is renowned for its innovative projects, including an earthquake-resistant housing block in Mexico City and a wooden house nestled in a German forest. The photography capturing the stunning transformation of Hotel Sevilla is credited to Fernando Marroquín, while key project contributors include local architect Carlos Cuevas of Yucateka Studio, CM Ingeniería for structural and mechanical engineering, Luca Salas for lighting, and Vigilante de la Construcción as the contractor, all working under the client Grupo Habita.

The Hotel Sevilla project offers a profound meditation on the evolution of architecture. It serves as a compelling reminder that buildings are not static entities but living organisms, subject to the layers of time and human interaction. Zeller & Moye's work inspires us to consider how architectural interventions can honor history while pushing the boundaries of contemporary design, creating spaces that are both luxurious and deeply rooted in their environment. This seamless integration of old and new, ruin and refinement, speaks to a broader architectural philosophy that values continuity and innovative adaptation.

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