Architecture News

Johnston Marklee Designs Vipp Pavilion in Upstate New York, a Reflective Retreat

In the tranquil landscape of Lumberland, New York, renowned architecture firm Johnston Marklee has unveiled the Vipp Pavilion, a groundbreaking guesthouse for the Danish furniture and design brand Vipp. This marks Vipp's inaugural purpose-built structure in the United States, meticulously designed to serve as both a visitor retreat and a curated showroom for the brand's distinguished collection. Perched gracefully on the edge of a serene pond, two hours from the bustling heart of New York City, the pavilion's design masterfully integrates with its natural surroundings, offering a distinctive blend of architectural innovation and immersive experience.

The pavilion's striking form, which Johnston Marklee co-founder Sharon Johnston likens to a 'stone in a pond,' features a telescopic structure that extends outwards, drawing the eye towards the expansive water views. Its architectural blueprint is characterized by two interlocking ellipses that ingeniously mirror the contours of the adjacent pond, fostering a deep connection between the built environment and its natural setting. Clad in a nuanced griege stucco, both ribbed and smooth, the 1,200-square-foot (111-square-meter) edifice stands out against the dense forest backdrop, yet its edges soften into the landscape with a verdant green roof, a thoughtful design element by Larry Weaner Landscape Associates.

Entry to the pavilion is through two imposing portals on the side opposite the lake, leading into a semi-circular gravel courtyard that guides visitors' gazes upward. A smooth wall in this courtyard, accented by a small semi-circular eave above a wooden door, introduces a sense of quiet grandeur. Beyond this, a wood-paneled hallway ushers guests into the main living areas, where the elliptical interior forms converge. Bedrooms, each featuring dual-aspect windows created by strategic facade cutaways, branch off, ensuring privacy and ample natural light. Skylights further illuminate the bedrooms and a single bathroom, which boasts a rich ochre-painted interior, complementing the Sapele wood casework found throughout the bedrooms.

The central living space is dominated by a freestanding anodized-aluminum V3 kitchen by Vipp, positioned beneath another skylight. Its ribbed texture subtly echoes the exterior stucco, seamlessly blending the interior design with the building's shell. This kitchen unit orchestrates the flow of the room, which features one semicircular wall meeting the bedrooms and entry, and a rectangular aspect that frames the lake. The interior is thoughtfully furnished with light-colored Vipp pieces, including swivel chairs encircling a travertine table, all set against a dramatic floor-to-ceiling window wall that opens onto a covered patio, maximizing the telescopic effect and views.

The collaboration between Johnston Marklee and Vipp aimed to not only display the furniture but also to craft an architectural experience that encourages personal interpretation. Sharon Johnston emphasizes that the pavilion's abstract form invites guests to shape their own interactions with the space and its furnishings, offering a refuge from the conventional and a gateway to nature. This pavilion is a significant addition to Vipp's global network of guesthouses, representing its first foray into the American market and joining other distinctive locations like the Cold Hawaii guesthouse in Denmark and a rammed-earth structure in Todos Santos, Mexico.

The Vipp Pavilion by Johnston Marklee transcends mere accommodation, presenting itself as a meticulously crafted retreat that harmonizes with its environment. Its innovative design, characterized by elliptical forms, strategic use of light, and a seamless integration of interior and exterior elements, creates a unique and tranquil experience. The project not only highlights Vipp's furniture collection within an architectural context but also establishes a new benchmark for experiential design, inviting visitors to engage with both art and nature in a profound and personal way.

Pinnacle Skytower: Canada's Tallest Building Reaches New Heights

The urban landscape of Toronto is undergoing a dramatic transformation, highlighted by the near completion of the Pinnacle Skytower. This monumental structure, a brainchild of Hariri Pontarini Architects, has successfully reached its zenith at 106 stories. This significant milestone not only marks a crucial phase in its construction but also heralds the arrival of Canada's new tallest building. The Skytower, a beacon of modern architecture, promises to add a new dimension to Toronto's ever-evolving skyline.

The Ascent of a Giant: Pinnacle Skytower Redefines Toronto's Horizon

In the vibrant city of Toronto, a new architectural marvel, the Pinnacle Skytower, has achieved its topping-out, reaching an impressive 106 stories. Designed by the renowned Hariri Pontarini Architects, this towering achievement signifies a major stride towards completing Canada's tallest building. The structure now stands at a breathtaking 1,114 feet (340 meters) and is projected to reach an ultimate height of 1,154 feet (352 meters) upon its final completion. This colossal edifice is strategically located near Queens Quay, forming a pivotal part of the expansive Pinnacle One Yonge development, a multifaceted complex of mixed-use buildings nestled close to the waterfront. The Skytower will house 958 upscale residential units, complemented by a suite of amenities, and will also host the prestigious Le Méridien Toronto Pinnacle Hotel. Renderings of the finished structure reveal a gracefully curved, multi-level base, with the tower's facade elegantly adorned with balconies and expansive glazed sections. This architectural feat will position the skyscraper's uppermost floor on par with the primary observation deck of Toronto's iconic CN Tower, while adhering to local regulations that limit building heights to 1,815 feet (553 meters), ensuring it harmonizes with the city's existing skyline. In a momentous event in December 2025, the Skytower surpassed the 100-story mark, becoming the first Canadian tower to do so, eclipsing the nearby One Bloor West tower. Toronto continues to be a hub for architectural innovation, with numerous mega-developments and skyscrapers underway, further solidifying its reputation as a city of vertical ambition.

The rise of the Pinnacle Skytower is more than just a construction project; it's a testament to human ingenuity and ambition. It prompts us to consider the evolving definition of urban living and the constant push for architectural innovation. This building not only reshapes a city's profile but also inspires us to reach for new heights, both literally and metaphorically, in our collective endeavors.

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OMA Designs Mushroom Cultivation Pavilion at Casa Wabi

In an architectural endeavor combining art, agriculture, and community, the New York branch of OMA has unveiled a distinctive mushroom cultivation pavilion on the scenic campus of Fundación Casa Wabi in Oaxaca, Mexico. This 200-square-meter ellipsoidal concrete dome, spearheaded by architect Shohei Shigematsu, stands as a testament to functional and aesthetic design, seamlessly integrating mushroom production with a vibrant communal space. Its unique structure, featuring a central oculus for natural light, divides the interior into distinct zones for cultivation stages while offering a gathering point for visitors and locals, embodying a blend of Japanese philosophy and practical utility.

OMA's Innovative Mushroom Pavilion: A Synthesis of Form and Function in Oaxaca

The renowned architectural firm OMA, through its New York office, has recently completed an innovative mushroom cultivation pavilion for the Fundación Casa Wabi in Oaxaca, Mexico. Located north of Puerto Escondido, this striking structure, designed by architect Shohei Shigematsu, is a significant addition to the arts organization's campus, known for its collection of pavilions by esteemed architects. The newly erected, 200-square-meter ellipsoidal dome, dubbed the Mushroom Pavilion, is crafted from concrete panels arranged radially around a central oculus. This design thoughtfully balances the specific lighting requirements for mushroom growth with the creation of an inviting space for community interaction.

Shigematsu articulated that the pavilion was conceived to reflect its straightforward yet crucial purpose. Its concrete facade, featuring a burlap imprint, is designed to absorb the region's iron-rich water, promising to develop a distinctive patina over time. Inside, the circular area is segmented into three distinct zones—for fruiting, incubation, and storage—connected by walkways and illuminated by the oculus, offering what OMA describes as a 'panopticon viewing experience' of the cultivation process. Beyond its internal focus, a staircase within the structure ascends to a rectangular viewing platform, providing panoramic vistas of the surrounding ocean-side landscape.

This project builds upon the vision of Fundación Casa Wabi, established by Mexican artist Bosco Sodi, whose primary building was designed by Japanese architect Tadao Ando. Shigematsu, a Japanese architect himself, expressed the profound significance of contributing to a campus that embraces Japanese philosophy and spatial traditions. The pavilion joins other architectural marvels on the property, including a blackened-wood chicken coop by Kengo Kuma and a ceramics workshop by Alberto Kalach, further enhancing Casa Wabi's reputation as a nexus of art, architecture, and cultural exchange. The construction, photographed by Rafael Gamo, represents a harmonious blend of architectural innovation and agricultural functionality, poised to foster both food production and community engagement.

This architectural endeavor by OMA at Casa Wabi offers a profound reflection on the potential for design to transcend traditional boundaries, merging utilitarian function with artistic expression. It highlights how thoughtful architecture can serve not just as a shelter or a space for production, but as a catalyst for community building and a respectful dialogue with the environment. The Mushroom Pavilion is more than just a place to grow mushrooms; it is a testament to sustainable practices, cultural exchange, and the enduring power of design to inspire and connect. It challenges us to reconsider the roles buildings play in fostering both ecological harmony and social cohesion, proving that beauty and utility can indeed coexist in a single, inspiring form.

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