Architectural Cases

In an innovative design endeavor titled "On the Calculation of Volume – Mania New Yorkea or living and dying in the city," architect Massimiliano Malagò has meticulously redesigned a Greenpoint apartment in New York. This project, a collaborative effort with client Kathleen Pongrace, delves into the intricate relationship between literature, domesticity, and the unique challenges of urban existence. Faced with New York City's soaring housing expenses, limited living areas, and incessant urban evolution, the design strategically weaves in concepts of recurrence, storage, temporality, and endurance through a series of bespoke furnishings and spatial modifications. Pongrace, a former marketing director for the Strand Bookstore, required expanded storage for her extensive book collection, which spurred the project to not only address practical spatial limitations but also to ponder larger themes of accumulation and adaptation within a densely populated urban environment.

A Greenpoint Apartment Transformed by Literary Vision

The core conceptual framework of this renovation was profoundly influenced by literary works. Solvej Balle’s novel, "On the Calculation of Volume I," with its protagonist repeatedly experiencing the same day, informed the design's exploration of cyclical routines and temporal reiteration characteristic of New York life. Similarly, Simone de Beauvoir’s "Tous les hommes sont mortels" introduced themes of lasting existence, profound loss, and the human experience of enduring societal and urban transformations. These profound narratives were artfully translated into furniture pieces that serve both as practical domestic items and as artistic interpretations of time, emotional attachment, and the continuous flow of urban life.

A collection of chairs custom-designed for the apartment exemplifies this integration, featuring a blend of ceramic tiles, plywood, aluminum storage compartments, and bio-synthetic foam. The ceramic bases are a subtle nod to New York’s iconic glazed terra-cotta facades, subway tiles, and the utilitarian surfaces prevalent in the city's architecture. They also fulfill practical domestic needs, offering durability, particularly against wear and tear from the client’s cat.

Several chairs in the collection highlight a deliberate contrast between enduring and transient materials. Ceramic elements are designed to appear fluid or partially melted, with tiled surfaces forming delicate, droplet-like shapes that symbolize the gradual accumulation and blurring of time. Conversely, the foam seating components are intended to gracefully degrade with use, creating a material distinction between permanence and decay. One chair even features integrated cavities for flowers, introducing an additional temporal dimension through living organic elements. Storage solutions are seamlessly incorporated into the furniture itself, utilizing hidden compartments, metal brackets, and slide-in pockets, underscoring the project's emphasis on maximizing spatial efficiency within compact urban interiors. Another chair pays homage to the architectural styles of Greenpoint and Williamsburg, incorporating openings beneath the seat to provide a cozy nook for the client’s cat.

Throughout this comprehensive project, designer Massimiliano Malagò’s furniture acts as a profound medium for examining how domestic objects assimilate the psychological and spatial realities of urban living. Through its ceramic surfaces, layered materials, integrated storage, and literary allusions, the "Mania New Yorkea" project positions the apartment’s interior as a thoughtful meditation on repetition, adaptation, and the art of navigating space within the vibrant tapestry of New York City.

This project reminds us that our living spaces are not just physical structures but profound reflections of our inner worlds and the external environments that shape us. By drawing inspiration from literature and directly addressing the unique pressures of city living, Malagò's work encourages us to consider how design can enrich our daily lives, transforming functional objects into meaningful narratives of our existence. It underscores the power of thoughtful design to harmonize practicality with poetic expression, turning an apartment into a sanctuary that resonates with personal stories and urban rhythms.

In an unprecedented fusion of street culture and unparalleled luxury, renowned graffiti artist Cyril Kongo has collaborated with Rolls-Royce to imbue five exclusive Black Badge Cullinan models with his distinctive artistic vision. This groundbreaking project redefines the very essence of automotive customization, transforming each vehicle into a mobile gallery that pulses with life and personal expression. The initiative boldly challenges established notions of luxury, proving that true opulence can be found in dynamic artistry rather than mere minimalism. By integrating Kongo's vibrant 'Kongoverse' – a fantastical realm of symbols, equations, and imagined celestial bodies – into every facet of these magnificent machines, Rolls-Royce has once again pushed the boundaries of bespoke craftsmanship and artistic collaboration.

The Unveiling of Artistic Innovation: Rolls-Royce Black Badge Cullinan by Cyril Kongo

In May 2026, a highly anticipated world premiere unfolded in the vibrant East London, showcasing a remarkable collaboration between Rolls-Royce Motor Cars and graffiti artist Cyril Kongo. This event marked the debut of five uniquely customized Black Badge Cullinan models, each meticulously transformed into a canvas for Kongo’s distinctive art. The project, a testament to Rolls-Royce's commitment to bespoke craftsmanship and innovative expression, involved Kongo embedding himself within the Bespoke Collective at the Home of Rolls-Royce in Goodwood for six months. This immersive process allowed for an unparalleled level of co-creation, where the artist treated every surface, from the dashboard to the lambswool floor coverings, as integral parts of a fluid, jazz-like composition. Kongo's personal philosophy, encapsulated in his 'Kongoverse'—a universe rich with mathematical patterns, symbolic motifs, and imagined planetary forms—found its ultimate expression within these luxury automobiles. The exterior of each Cullinan features a pioneering Gradient Coachline, transitioning between vivid hues like Phoenix Red and Forge Yellow, or Mandarin and Turchese, each adorned with Kongo’s signature tag. This dynamic color play is complemented by 23-inch alloy wheels concealing four distinctively colored brake calipers, inviting a sense of discovery. Inside, the iconic Starlight Headliner has been reimagined as a celestial map from Kongo’s mind, featuring 1,344 hand-punched “stars” alongside hand-painted equations. The Bespoke woodset, spanning the fascia, picnic tables, and the waterfall console between the rear seats, was meticulously hand-painted by Kongo using airbrushes, then sealed with ten layers of lacquer to ensure durability and a brilliant finish. From the illuminated treadplates to the hidden umbrellas, Kongo’s graffiti tags appear throughout, certifying these vehicles not just as modes of transport, but as mobile masterpieces, showcasing a daring optimism in luxury design.

This pioneering collaboration between Rolls-Royce and Cyril Kongo underscores a profound shift in the perception of luxury, moving beyond conventional opulence to embrace bold artistic statements. It highlights the potential for unexpected partnerships to generate truly unique and personalized experiences, transforming a luxury vehicle into an intimate extension of its owner's identity and taste. The project inspires us to consider how traditional industries can evolve by integrating contemporary art forms, creating products that are not just functional or aesthetically pleasing, but deeply meaningful and emotionally resonant.