Architectural Cases

In a compelling exploration of art and environment, Mexican photographer and curator Alejandro Ramírez Orozco masterminded the "Remanencias" initiative. This project meticulously documented the dynamic interplay between contemporary design artifacts and a range of architectural backdrops throughout Mexico. The core idea was to investigate how design elements not only exist within a space but actively engage with it, creating a unique visual narrative. The culmination of this ambitious undertaking was a thought-provoking exhibition, providing a fresh perspective on the synergy between crafted objects and their designed habitats.

"Remanencias" Project Captures Design in Dialogue with Architecture Across Mexico

The innovative "Remanencias" project, conceptualized and led by Mexican photographer Alejandro Ramírez Orozco, commenced with the selection of 14 talented designers based in Mexico. Each designer was tasked with crafting a singular piece of furniture, lighting, or sculpture. Following their creation, these distinctive objects were transported to four recently completed residences, each boasting a unique architectural style and situated in a different climatic zone across Mexico. The purpose was not merely to exhibit the pieces, but to temporarily integrate them into these diverse environments, capturing their interaction through photography.

Orozco articulated the project's philosophy, stating that "Remanencias" signifies "that which endures after an encounter—what remains when the moment itself has passed." He described the resulting photographic records as "the minimal documentation of an evanescent conversation between object and architecture." The collection of designs spanned a wide spectrum, from Deceres Studio's Arka credenza and Imanol Ortíz's elegant folding screen to Habitación 116's Pampa Chair and Ombia Studio's Dos Cruces Chair. Lighting contributions included Federico Stefanovich's striking floor lamp, Alan Rojas's Miles Davis Candle Chandelier, an intricate sconce by Erm Studio, and Estudio Sardina's distinctive table lamp.

The central objective transcended mere documentation of individual objects or architectural structures. Instead, the focus was on illuminating the intrinsic connection between them and showcasing how each object adapted and responded differently to its varied surroundings, as well as to its fellow design pieces. Orozco elaborated, "Every object was conceived not as an independent entity, but as a form crafted to relate, adapt, and be activated in concert with others and with the architectural space that welcomes it." He further detailed the photographic process: "At each site, photographic sessions were conducted where the objects were positioned, adjusted, and momentarily inhabited the architecture, forging distinct compositions that were responsive to the site's unique attributes: illumination, scale, shadows, textures, and voids."

The journey began at Casa Puertecito in Puerto Escondido, Oaxaca, a masterpiece by Goma Taller characterized by a monumental concrete staircase ascending towards the ocean. Here, the objects were strategically placed on the steps and within the sand-hued interiors, where the light sculpted dramatic shadows from the building's geometric forms. The second destination was Casa Entre los Árboles in Valle de Bravo, a collaboration between Aires Mateus and Ignacio Urquiza, featuring a scalloped platform that served as a stage for the furniture. In Jalisco, the textured plaster walls beneath the gabled roof of Casa Tierra, designed by Aagnes and César Béjar, provided a compelling backdrop. Finally, in Mérida, Casa Ínsula's sculptural concrete volumes acted as both containers and frames for the curated objects.

Reflecting on the transient nature of the installations, Orozco remarked, "Each object settles, conforms, and inhabits the architecture for a fleeting, almost imperceptible instant before vanishing from that location permanently." The project culminated in an exhibition, also titled "Remanencias," held at the Difane gallery in Roma Norte during Mexico City art week in February 2026. The photographic prints were elegantly framed in metal by Manu Bañó, who also contributed a floor lamp and a side table to the collection. The 14 design pieces were centrally displayed on a low platform within the exhibition space. Orozco described the visitor experience: "Attendees were encouraged to navigate the photographic series, recognizing, connecting with, and rediscovering each object within the images, mentally reconstructing its journey through the distinct architectural environments."

The "Remanencias" project by Alejandro Ramírez Orozco offers a profound meditation on the dialogue between human-made objects and the built environment. It compels us to consider how design elements, even in their stillness, actively participate in shaping our perception of space and time. This initiative transcends mere aesthetics, inviting a deeper appreciation for the ephemeral yet impactful relationships forged when carefully crafted pieces inhabit meticulously designed settings. It underscores the idea that architecture is not merely a container, but an active participant in a continuous, evolving narrative with the objects it embraces.

Pend Architects, in partnership with Gloss Projects, has unveiled Canon Mews, a housing development in Edinburgh, Scotland, that transforms a modest urban site into two contemporary mews residences. This project highlights an innovative approach to urban infill, demonstrating how thoughtful design and a commitment to quality can unlock the potential of constrained city plots. The homes are distinguished by their emphasis on natural light, private courtyards, and a blend of traditional and modern materials, providing a fresh interpretation of the classic mews typology.

Situated in Edinburgh's Canonmills district, Canon Mews comprises two three-bedroom homes within an existing row of mews properties. Pend director Jamie Anderson emphasized the studio's unique position as both architect and developer, which allowed for comprehensive oversight of the design and construction process. This integrated approach, according to Anderson, showcases the architectural profession's ability to effectively tackle the complexities of urban site development. The primary objective was to create a contemporary reinterpretation of the traditional mews house, focusing on maximizing natural light and providing intimate outdoor spaces through thoughtfully designed courtyards.

Each residence at Canon Mews spans approximately 111 to 135 square meters, offering expansive open-plan living areas, three bedrooms, and an integrated garage. The architectural facade makes use of reclaimed brick from the site, meticulously cleaned and re-incorporated to harmonize with the surrounding mews structures. This material choice is complemented by unique details such as bullnose bricks at the entrances, which introduce a softer aesthetic, and timber-clad vestibules that echo the wood elements of neighboring buildings. A distinctive feature is the upper storey, slightly recessed from the brick base and clad in vibrant red zinc, providing a modern counterpoint to the traditional brickwork and reappearing in the rear courtyard zones.

The interior layout of each home includes a ground-floor entrance and a lounge area featuring full-height sliding doors that open onto secluded outdoor spaces. Ascending the staircases leads to open-concept kitchen and dining areas, complete with adjacent terraces. Bedrooms at the rear of the properties offer views of the courtyards, while those at the front are illuminated by dormer windows, providing glimpses of the sky. The material palette chosen for the interiors strikes a balance between sophistication and durability, incorporating robust porcelain tiles on the ground floor and staircases with solid timber treads, harmonizing with the wooden floorboards found on the upper level.

The Canon Mews project prioritizes longevity and meticulous craftsmanship, distinguishing it from typical new-build developments. Jamie Anderson credits the successful collaboration with Gloss Projects and Niksen, an independent real estate agency, for maintaining a consistent focus on high-quality outcomes throughout every phase. This holistic approach to residential construction is expected to influence Pend's future endeavors and may serve as a blueprint for similar urban development projects. Anderson expressed the hope that Canon Mews will ignite broader discussions about the potential of small urban sites, advocating for considered densification, material excellence, and the creation of delightful domestic environments. The project represents a significant step in the studio's commitment to delivering bespoke housing solutions.