Building materials

Heatherwick Studio Designs Liquid-Inspired Eyewear for JINS

In a pioneering venture, Heatherwick Studio has partnered with Japanese eyewear innovator JINS to unveil a distinctive collection of optical frames. This collaboration represents the studio's inaugural exploration into eyewear design, translating their signature architectural ethos—known from landmark projects like Little Island—into an intimate, wearable object. The new series diverges significantly from conventional eyewear aesthetics, embracing a concept dubbed 'Liquid' that prioritizes organic movement and asymmetrical forms over rigid, industrial precision. The result is a range of glasses that appear sculpted by natural forces, echoing the gentle ripples of water or the supple forms of molten materials, offering a fresh perspective on how frames interact with the wearer's face.

The creative process behind the JINS x Heatherwick Studio collection was deeply rooted in a desire to move beyond the generic and impersonal nature often associated with eyewear. Stuart Wood, Executive Partner at Heatherwick Studio, highlighted the team's inspiration from the inherent flow of natural elements—water, air, and stone—to forge designs that are both sculptural and emotionally resonant. Each frame is conceived as an extension of the individual, designed to complement the face's contours rather than merely rest upon it. This human-centric approach, a hallmark of Heatherwick Studio's larger architectural endeavors, finds a scaled-down yet equally impactful expression in this eyewear line.

The collection showcases two primary material typologies: resilient resin and refined titanium. The resin models feature an intricate layering of translucent textures, while the titanium versions are presented with either a mirror-like polish or a subtle brushed finish. A palette of six distinct colorways further enhances the collection's connection to nature, drawing from aquatic and geological references. Shades like 'Grey Mist' evoke the ethereal quality of fog over water, 'Stream Fern' channels the verdant depths of underwater flora, and 'Obsidian Black' reflects the deep, reflective surfaces of volcanic rock. The titanium frames, with their shimmering surfaces, capture the dynamic play of light on liquid metal, enriching the sensory experience of wearing them.

Comprising four distinct frame silhouettes, the collection offers versatile options. The resin constructions are available in Boston and Wellington shapes, while the titanium iterations reimagine these classic profiles with slender metallic structures and enhanced reflective properties. A defining characteristic across all designs is the subtle exaggeration of curves and transitions around the temples and rims, imparting a sense of fluid motion to the eyewear. This deliberate asymmetry transforms functional frames into miniature works of art, inviting a tactile and visual engagement that transcends utility.

This initiative further cements JINS' established reputation for collaborating with leading architects and designers, continually elevating eyewear beyond its purely functional role. For Heatherwick Studio, this project marks a fascinating shift in scale, from designing expansive urban landscapes and public spaces to crafting an accessory worn directly on the body. It demonstrates the studio's unwavering commitment to integrating concepts of movement, tactile quality, and atmospheric influence into every design, regardless of its size or scope, ultimately enriching the daily experience of the wearer.

The partnership between Heatherwick Studio and JINS culminates in a collection that reimagines eyewear as a fluid, sculptural element. Through a focus on natural forms, asymmetric contours, and a thoughtful color palette, the frames offer a unique blend of architectural design and personal expression. This venture underscores the studio's ability to imbue even the smallest objects with profound design philosophy, creating pieces that are not just seen but felt, transforming an everyday necessity into an artful statement.

Carpenter's Home: Weaving Tradition and Innovation in Rural Chinese Architecture

In Haotang Village, nested within China's Henan province, Primary Architects has breathed new life into local craft traditions with the completion of Carpenter's Home. This 405-square-meter timber workshop and community learning space stands as a beacon of the village’s 'Eight Traditional Crafts Revival Program,' re-establishing woodworking as both a viable profession and a cherished communal activity. Situated at the village's entryway, it replaces an old woodworking shed, transforming into a vibrant nexus where the ancient art of carpentry, educational workshops, social tea gatherings, and daily routines harmoniously coexist beneath a magnificent, undulating timber canopy.

Carpenter's Home: A Modern Craft Sanctuary in Rural China

In Haotang Village, Henan province, Primary Architects has masterfully designed Carpenter's Home, a cutting-edge 405-square-meter timber facility. This project is a cornerstone of the village's 'Eight Traditional Crafts Revival Program,' aimed at reinvigorating woodworking as a contemporary profession and a shared cultural legacy. The structure, gracefully replacing an aging woodworking shed once utilized by local artisan Zhang, is strategically positioned at the entrance of the rural community. The architects envisioned this space as a dynamic arena for both productive labor and vibrant social exchange. Here, the time-honored craft of woodworking, interactive school workshops, serene tea ceremonies, and the rhythm of daily life coalesce under an expansive, fluid timber roof. The architectural team ingeniously conceived the roofline as an organic extension of the surrounding mountainous terrain. A series of twelve curved, glued-laminated timber beams cascade gently from east to west, orchestrating a continuous visual rhythm that mirrors the natural slope of the site and thoughtfully navigates the elevation differences between the village road and an adjacent health clinic. This flowing roofline not only pays homage to the local topography but also establishes a profound 'disconnected form yet connected spirit' dialogue with the distant peaks. Ingenious curved skylights are integrated into the timber shell, drawing in natural light like radiant fissures in a valley. Optimized through sophisticated sunlight simulations, these skylights ensure that the workshop is predominantly illuminated by natural light throughout the day. This diffused illumination bathes the interior in a warm, inviting glow, fostering an ideal environment for focused artistry. The structural integrity of the project is achieved through glued timber components ingeniously connected with steel nodes, forming a hybrid system that effortlessly spans up to 26 meters without the need for obtrusive interior supports. The intricate, double-curved geometry of the roof was meticulously crafted using digital modeling and parametric control, then prefabricated off-site, and finally assembled through a streamlined modular construction process. The interior layout, conceived as an open-plan space, is designed to facilitate diverse activities, accommodating intensive research workshops and educational programs for up to two school classes simultaneously. Versatile woodworking tables support both the teaching of traditional mortise-and-tenon techniques and the exploration of contemporary timber experiments. Along the walls, an thoughtfully curated display showcases an array of hand planes, ink markers, and timber sections, elegantly bridging the gap between historical craftsmanship and advanced wood technologies. At the very heart of this project lies the return of carpenter Zhang to his revitalized workshop. The familiar melodies of planing wood, precise timber measurements, and the rhythmic marking of ink lines once again infuse the space with vitality. Meanwhile, eager children gather around the worktables, absorbing the intricacies of joinery and gaining a tactile understanding of material processes through direct engagement. The ground floor thoughtfully allocates a dedicated zone for traditional woodworking production, while another section is designed to welcome villagers and visitors alike through engaging exhibitions, hands-on workshops, and enriching educational initiatives. On the upper level, a serene tea room transforms into a public gathering space, doubling as a tranquil waiting area for parents during school activities. Far from delineating strict boundaries between work and domesticity, Carpenter's Home deliberately weaves together labor, education, hospitality, and community interaction under a single, unifying roof. For Primary Architects, Carpenter's Home presents a compelling alternative paradigm for rural rejuvenation. Eschewing mere nostalgic preservation, the project introduces a forward-thinking architectural vocabulary, seamlessly reconnecting the timeless essence of craftsmanship with the dynamics of contemporary rural life.

This initiative by Primary Architects showcases a profound understanding of community and heritage, demonstrating how contemporary architecture can not only preserve but also invigorate traditional crafts. By creating a space that is both functional and aesthetically pleasing, Carpenter's Home fosters a sense of belonging and continuity, proving that thoughtful design can be a powerful catalyst for rural revitalization. It encourages us to reconsider the potential of local traditions and the role of architecture in shaping a sustainable and culturally rich future for communities.

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Studio Carraldo's "DELULU" Installation: Navigating Uncertainty through Interactive Labyrinths

Studio Carraldo has introduced "DELULU," a ground-breaking interactive installation designed for the upcoming Munich Creative Business Week (MCBW) in 2026. This project delves into the possibilities of spatial design as a response to the pervasive feelings of instability, unpredictability, and digital overwhelm prevalent in contemporary society. Drawing inspiration from the modern slang term "delulu"—a shortened form of "delusional"—the installation translates the concept of imaginative retreat into a physical, architectural environment that is shaped by movement, spatial ambiguity, and active engagement from its visitors.

The installation manifests as a dynamic maze, constructed from reconfigurable panels that continuously redefine the spatial relationships and pathways within. Far from being a static exhibit, DELULU functions as an adaptive space where one's sense of direction is fluid, constantly shifting through physical interaction and altering perspectives. Participants navigate a series of alternating enclosed and expansive areas, encountering moments of introspection, communal interaction, profound stillness, and invigorating motion.

The conceptual underpinning of DELULU resonates with philosopher Timothy Morton's theory of "hyperobjects"—vast phenomena such as climate change and technological saturation that often exceed individual comprehension. Studio Carraldo masterfully transforms these abstract, overwhelming conditions into a tangible spatial experience, embedding the sensations of instability and uncertainty directly into the visitor's physical journey through the environment.

The core architectural element of Studio Carraldo's installation consists of movable partitions. These walls, suspended from an overhead framework and guided by floor-level tracks, can be manually repositioned, allowing the spatial arrangement to be continuously reconfigured by those within it. This innovative mechanism transforms the installation from a passive display into a collaborative structure, collectively shaped through its use and the interactions of its participants.

From a material perspective, the project embraces a minimalist, low-tech construction philosophy. The walls are meticulously wrapped in natural jute fabric, imparting a tactile and light-sensitive surface quality that beautifully contrasts with the simple mechanics of the movable framework. This deliberate choice of a restrained material palette underscores the emphasis on process, adaptability, and direct physical engagement, rather than relying on complex technological solutions.

Conceived as a prominent feature of MCBW 2026, DELULU serves not only as a spatial installation but also as an experimental social arena. By integrating reconfigurable structures, participatory navigation, and elementary material systems, Studio Carraldo comprehensively investigates how architectural forms can provide a framework for navigating an uncertain world through collective interaction and the establishment of transient modes of orientation. Through this immersive experience, DELULU invites reflection on the power of collective imagination and adaptability in facing the complexities of our modern existence.

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