Architectural Cases

The Venice Biennale has concluded the extensive revitalization of its Central Pavilion located in the Giardini. This significant project, carried out between December 2024 and March 2026, was backed by the Italian Ministry of Culture's National Recovery and Resilience Plan, with the goal of establishing a lasting center for cultural activities and interaction in Venice. The renovation focused on a thoughtful blend of historical preservation and contemporary functionality, creating fresh exhibition areas, a welcoming cafe, and a well-stocked bookshop. The newly designed pavilion is set to open its doors with the debut of the 'In Minor Keys' exhibition, curated by Koyo Kouoh, as part of the highly anticipated Biennale Arte 2026.

Details of the Giardini Central Pavilion's Grand Reopening

Between December 2024 and March 2026, the renowned Central Pavilion of the Venice Biennale, nestled within the picturesque Giardini, underwent a significant transformation. This comprehensive renovation was made possible through substantial funding from the Italian Ministry of Culture, specifically under the National Recovery and Resilience Plan (PNRR) and its complementary investment program (PNC). The initiative's primary goal was to fortify Venice's cultural infrastructure, developing a lasting center for artistic and intellectual exchange. This particular project is an integral part of a broader city-wide effort, coordinated with local authorities and heritage institutions, to upgrade various Biennale sites, including the historic Arsenale and other key locations throughout Venice.

The architectural strategy for the pavilion’s redesign transcended a mere restoration. Instead, it embraced a nuanced approach that acknowledged the building's layered history, shaped by successive modifications over time. The intervention meticulously reorganized these historical elements, prioritizing clarity, seamless continuity, and adaptable spaces to meet the demands of modern exhibitions. At the heart of the revitalized layout is the Sala Chini, which now serves as a central distribution area, guiding visitors through a series of exhibition galleries. These galleries are designed as versatile, neutral environments, capable of hosting a diverse range of curatorial formats. Support functions, including a charming cafe, a well-appointed bookshop, and dynamic educational spaces, are thoughtfully positioned along the perimeter, maintaining a distinct separation from the main exhibition circuit.

A critical examination of the building's historical fabric guided the renovation team. Select elements of profound historical and architectural significance were carefully preserved and reintegrated. Notable among these are the iconic window systems, originally conceived by the celebrated architect Carlo Scarpa. Furthermore, the Sala Brenno del Giudice was thoughtfully reconfigured to echo its original spatial arrangement from 1928. Openings that overlook the canal-facing terrace were also reinstated, strengthening the visual and experiential connection between the Pavilion and its lush surrounding landscape. This approach underscores a philosophy where reuse is interpreted as a dynamic design process, one that reinterprets and harmonizes the building's historical phases to suit contemporary exhibition needs.

New architectural additions were introduced to expand the pavilion's spatial and environmental capabilities, all while maintaining a refined and respectful architectural language. Two rooftop structures, drawing inspiration from traditional Venetian altane (rooftop terraces), were strategically placed above the cafe and multipurpose areas. These additions create elevated vantage points, fostering engaging interactions with the serene Giardini landscape. Constructed from charred laminated wood and X-LAM panels, these new elements are intentionally lightweight and reversible, designed to complement rather than overshadow the existing masonry volume.

The project also seamlessly integrated advanced architectural, structural, and environmental systems. Technical infrastructure is discreetly embedded within the walls and roofing, ensuring the pristine clarity of the interior spaces. Innovative skylights, featuring photovoltaic and diffusing glass, provide consistent natural illumination while significantly boosting energy performance. Operable elements facilitate natural ventilation and adaptable shading, reflecting a broader commitment to sustainability, material efficiency, and precise environmental control. These strategies align the Central Pavilion with the highest contemporary standards for exhibition environments, creating a space that is both historically resonant and forward-looking.

The renovation was meticulously overseen by the Special Projects Department of La Biennale di Venezia, under the expert direction of architect Arianna Laurenzi, with engineer Cristiano Frizzele serving as the Single Procedure Manager. The architectural design was brilliantly executed by Labics, led by Maria Claudia Clemente and Francesco Isidori, in collaboration with architect Fabio Fumagalli. BUROMILAN – Milan Ingegneria S.p.A. was responsible for the structural design, safety coordination, and overall project management. MEP engineering and fire prevention were expertly handled by ia2 Studio, while the captivating landscape design was crafted by Stefano Olivari. The construction itself was carried out by Setten Genesio S.p.A., bringing this ambitious vision to life.

The Central Pavilion was closed during the 2025 Venice Architecture Biennale, themed 'Intelligens. Natural. Artificial. Collective.,' curated by Carlo Ratti, which achieved record-breaking attendance. As the Biennale shifts back to its art-focused cycle in 2026, the next International Architecture Exhibition is slated for May 2027. La Biennale di Venezia has already announced Wang Shu and Lu Wenyu, founders of Amateur Architecture Studio, as the curators for its 20th edition, recognizing their deep commitment to craftsmanship, material reuse, and local building traditions.

The thoughtful renovation of the Venice Biennale's Central Pavilion offers a profound lesson in architectural stewardship. It demonstrates that preserving historical integrity doesn't necessitate freezing a building in time, but rather understanding its evolutionary journey and reinterpreting it for future generations. This project successfully navigates the complex interplay between past and present, showing how design can honor heritage while embracing innovation. The emphasis on sustainability and adaptability also sets a compelling precedent for cultural institutions worldwide, highlighting the importance of creating flexible, environmentally conscious spaces that can evolve with changing exhibition needs and artistic expressions. It reminds us that architecture is a living discipline, continually shaped by dialogue between history, context, and contemporary vision.

The Bosco della Musica project, spearheaded by the architectural firm Settanta7, represents a significant urban renewal effort in Milan's Rogoredo district. This ambitious undertaking aims to transform a historically industrial area, currently grappling with social challenges, into a thriving cultural and educational center. The initiative focuses on creating an inclusive environment where music acts as a catalyst for social cohesion, offering expanded musical education and integrating new architectural designs with the adaptive reuse of existing industrial structures. This development not only addresses urban decay but also introduces modern sustainable practices and technological innovations to support a dynamic academic and community space.

At the heart of this regeneration is the establishment of a new campus for the Conservatorio Giuseppe Verdi, designed to foster a wide array of musical genres beyond classical offerings. This expansion, coupled with community engagement programs, seeks to embed the campus deeply within the urban fabric of Rogoredo and the broader Santa Giulia area. The project's dual objective—revitalizing a problematic urban zone and preserving industrial heritage—underscores a holistic approach to urban development, demonstrating how strategic architectural interventions can contribute to significant social and cultural upliftment in metropolitan areas.

Transforming Rogoredo: Music as a Catalyst for Urban Renewal

The architectural practice Settanta7 has initiated the construction of the Bosco della Musica, a novel campus for the Conservatorio Giuseppe Verdi situated in Milan. This significant undertaking is located in Rogoredo, an area with an industrial past in the city's southeastern sector, currently experiencing urban challenges including safety concerns. The Italian Ministry of Transport and Infrastructure has prioritized this district for development, and Settanta7 was awarded the project in 2022 following a competitive selection. The firm is responsible for both the design and the overarching coordination of this extensive urban regeneration, which encompasses the refurbishment of a 17,400 sqm site. This includes the innovative adaptive reuse of the historic 'Ex Chimici' industrial facility, alongside the erection of four new structures: three dedicated to academic pursuits and one for student accommodations.

Rogoredo, once a secluded industrial periphery, gained connectivity with central Milan through the advent of the subway in the 1980s. Today, with its rail and M3 metro links, it is a focal point for real estate ventures, such as the expansive Milano Santa Giulia project, slated for completion by 2034. Despite these progressive developments, the area has faced notoriety due to persistent social issues, notably drug-related activities. The Conservatorio Giuseppe Verdi's regeneration initiative is specifically designed to address these complex social dynamics, aiming to integrate deeply within the community and offer enriching cultural and musical opportunities to all citizens. This project embodies a dual regenerative purpose: it confronts a significant social issue within the city's framework while simultaneously rejuvenating a derelict industrial building from a bygone era.

Architectural Design and Sustainable Innovations at Bosco della Musica

Settanta7's Bosco della Musica represents a comprehensive project blending urban regeneration, adaptive reuse, and new cultural infrastructure, with construction underway since December 2025. This initiative aims to establish Milan's first open campus in Italy, envisioned as an inclusive space where music drives social unity. The new facilities are poised to host diverse music courses, including rock, jazz, pop, and electronic genres, thereby broadening the Conservatory's existing academic curriculum, while its historical city center location will continue to specialize in classical music. This development will significantly increase student capacity, integrate community engagement programs in Rogoredo and Santa Giulia, and deploy smart building technologies across the campus. These technologies are designed to sustainably manage the complex's acoustic demands and align with the district's emphasis on innovation.

The project involves the restoration of the Ex Chimici building, a former chemical plant with a distinctive circular design by Francesco Griffini from the 1940s. After ceasing factory operations, the building served various corporate functions before falling into disuse for over two decades. Its refurbishment is planned to house the Conservatory's rock, pop, and jazz departments. Additionally, the complex features three new buildings: a 400-seat auditorium with facades adorned in multi-toned ceramic shingles, a 200-bed student residence, and a multi-functional center for electronic and experimental music, which includes a bar, restaurant, and communal areas. Beyond these structures, the former industrial site will also feature an open-air concert venue, parking equipped with electric vehicle charging stations, green roofs, and biodiverse wildflower meadows. The architects describe the design of the four main buildings as inspired by the organic contours of a forest and the geometric patterns of leaves, with each structure subtly referencing a distinct leaf type. The curvilinear forms and fluid circulation paths are intended to mimic natural movement, such as wind through foliage. Each building incorporates stepped terraces that provide common areas, ascending vertically. STAIN Engineering has developed the building systems, which include a digital management system for optimizing energy use and reducing waste. Acoustic precision is paramount for the facility, leading to the selection of discreet, non-intrusive HVAC systems that feature soundproofed fan coil units and radiant heating, ensuring thermal comfort without disrupting musical education and performances.