Architectural Cases

Elevated Architecture: Harmony with Nature in Latin America

In Latin America, the terrain is rarely a simple, flat surface for construction. It often presents itself as a dynamic landscape of riverbanks, challenging inclines, damp forest floors, and areas susceptible to flooding. This environment frequently carries with it an ancient wisdom from communities who, long before modern architectural trends, mastered building techniques like stilt houses and elevated platforms to coexist with nature. This article delves into contemporary architectural projects that continue this dialogue, demonstrating how structures can ascend above the earth to adapt to a world that constantly shifts, absorbs, erodes, and flourishes.

Details of Adaptive Architectural Marvels

In Babahoyo, Ecuador, the "Tea Room" by Natura Futura exemplifies an architectural response to a water-rich, humid cityscape. Here, elevation isn't just a design choice; it's a necessity. The structure, a modest wooden enclosure, uses its raised floor, roof, and light construction to offer a shaded retreat. This subtle elevation manages moisture while allowing natural elements—vegetation, air currents, and daily activities—to flow unhindered beneath and around it. It's a testament to how even minimal elevation can enhance climate adaptation and community interaction.

Nearby, in the verdant Ecuadorian Amazon near Puyo, Mestizo Estudio Arquitectura's "Hoguera de Madera Refuge" confronts the challenges of a ravine, where perpetual humidity, uneven ground, and the precarious edge of the waterway necessitate an elevated approach. The refuge comprises three interconnected wooden modules, linked by a raised walkway that traces the riverbed. This design significantly reduces the building's footprint on the soil, preserving the active flow of water and the thriving vegetation below. The intentional distance from the ground is not merely aesthetic; it's a practical means of integrating with a site that is inherently fluid and dynamic. The strategic use of local palm, aptly named the "steel of the jungle," further underscores a profound respect for both climatic conditions and indigenous materials.

Meanwhile, in Mexico City, Talleresque's "Floating House" redefines elevation, not in relation to water, but to topography. Perched on a steep incline and supported by nine slender vertical elements, the house gracefully avoids transforming the slope into a conventional flat foundation. Its "floating" quality allows it to minimize ground disturbance, preserving the surrounding trees and integrating them seamlessly into the dwelling's experience. The natural slope is embraced, becoming an integral part of how the house is approached, perceived, and lived within.

In Petrópolis, Brazil, Venta Arquitetos' "Elevated House" similarly responds to both slope and moisture. By lifting the house on two T-shaped concrete supports, the design drastically reduces the need for extensive earthworks and mitigates ground-level humidity. This elevation is a pragmatic solution, minimizing construction impact and allowing the structure to harmoniously blend with the local climate and topography, creating a living space that respects its natural surroundings.

Finally, Lucas Maino Fernández's "Miradores House" in Villarrica, Chile, leverages elevation to engage with a grander geographical canvas: a forest, a volcano, and a lake. The house rests on a singular platform, from which two distinct volumes emerge, each oriented towards a specific natural landmark. Here, the panoramic views are not just a decorative backdrop; they actively shape the orientation of the house, its domestic life, and its symbiotic relationship with a landscape dominated by powerful natural forces.

These architectural endeavors collectively reveal that elevation is more than a mere technical solution for challenging terrains. It embodies a conscious decision to redefine the intensity of interaction between built structures and their environments. Whether it's a raised floor, a connecting walkway, a broad platform, or a series of discreet supports, elevation determines the extent of ground contact, the persistence of vegetation, and the unimpeded movement of water and air beneath. Consequently, the space below these elevated structures is far from residual; it becomes a fundamental component of the project's ecological integrity and environmental logic.

Redefining Spatial Organization: The Role of Sustainable Materials in Open-Plan Interiors

In contemporary architectural design, the organization of expansive interior environments, such as large residential areas, hotel lobbies, or open-concept workplaces, increasingly relies not on traditional dividers but on subtle elements that unify the space. These interiors often eschew clear boundaries, distinct rooms, or fixed partitions, yet maintain a profound sense of order and intentionality. Certain zones are crafted to encourage pause and reflection, others guide movement, and some are designed to foster social interaction, with transitions between them being fluid yet clearly understood. The evolving demands on these spaces include adaptability to constant change, resilience against heavy usage, and alignment with environmental goals through waste reduction, extended product lifespans, and the avoidance of frequent replacements. The critical focus shifts from mere aesthetics to long-term performance, questioning which elements truly bear the weight of these multifaceted requirements.

The strategic arrangement of objects, along with the deliberate selection of colors and textures, frequently dictates the spatial narrative in these environments. Seating, in particular, has emerged as a pivotal component in shaping these interiors, effectively becoming part of the design's storytelling. When grouped into clusters, aligned in rows, or contoured into organic forms, furniture constructs distinct "neighborhoods" that offer definition without complete enclosure. This innovative approach places significant emphasis on material choices, which, beyond their functional and durable attributes, must actively contribute to the spatial logic while championing circularity and longevity. Both material and color become indispensable tools in this process, influencing how space is perceived, structured, and utilized over time, aligning aesthetic appeal with ecological imperative.

This material-driven evolution is vividly demonstrated in the seating systems developed by Andreu World, notably featuring BIO® thermopolymer. This advanced material, derived from the fermentation of natural microorganisms and enhanced with plant-based additives, ensures both resilience and consistency in open interiors that are subject to frequent reconfigurations. Building upon foundational biomaterial research conducted in Asia, this technology was further refined for industrial-scale production in Europe, bridging experimental bio-based processes with the rigorous performance standards demanded by modern interiors. This development signifies a broader transition away from fossil fuel-dependent manufacturing towards renewable energy sources and carbon-neutral production, exemplified by products like the Nuez Lounge BIO® armchair, which boasts a carbon footprint of merely 36.96 kg CO₂ eq (GHG, Scope 3, ex-works). Within this context, material innovation transcends mere performance, harmonizing environmental impact with the intricate spatial and functional requirements of contemporary architectural spaces.

In large, open interiors, individual chairs might seem insignificant, but when thoughtfully arranged, they collectively enhance the atmosphere. Materials must endure the wear and tear of daily use while maintaining a visually appealing softness over time. BIO® thermopolymer addresses this challenge by providing the robustness needed for high-traffic areas, serving as a sustainable alternative to fossil-based plastics, and avoiding the typical stiffness associated with conventional plastics. This results in a material that can be widely used without visually overpowering the space, offering enough presence to define areas while being subtle enough to integrate with a diverse range of finishes.

Designer Patricia Urquiola, who collaborated with Andreu World on this pioneering material, grounds her approach in a specific design philosophy that views materials and palettes as elements capable of gracefully enduring use, change, and the passage of time within these dynamic environments. She states, “I always think that the project I’m working on will be the best one, where the design and materials are anti-fragile and resilient.” This mindset underscores the importance of creating objects that are not only durable but also adaptable and aesthetically enduring.

The color palette Urquiola developed for BIO® thermopolymer reflects this ethos, featuring ten hues ranging from muted tones like White, Sand, and Basalt Grey to more vibrant shades such as Olive Green, Mist Blue, Terracotta, and Rust Red. These colors are carefully chosen to harmonize with natural and architectural surroundings, echoing the subtle tones of wood, earth, or stone. When applied strategically, this versatile material allows designers to create layered shades where seating can either subtly blend into the background or assertively define specific areas, depending on its intended role. Lighter groupings foster a calm, neutral ambiance, while deeper, more expressive tones can demarcate an active zone. In the absence of physical barriers, color effectively becomes a spatial tool, ensuring continuity throughout a space or introducing nuanced distinctions between various areas.

The spatial impact of these design choices is further amplified through innovative seating strategies that introduce flexibility into interior layouts. The Nuez Lounge BIO® armchair exemplifies this approach through its strategic placement. Crafted from a single piece of BIO thermopolymer, its compact, continuous form enables it to delineate edges and boundaries, or to form cohesive clusters within larger zones. It functions not as a solitary defining element, but through its combination with other pieces, it establishes rhythm and structure within the space.

The Bolete collection, which includes the modular Bolete Lounge BIO® sofa suitable for both indoor and outdoor settings, as well as the Bolete Chair and Armchair, adopts a more dynamic and expressive design. Featuring a central base made from BIO® thermopolymer, its rounded, modular configuration allows it to seamlessly transition from a standalone piece to expansive curved arrangements, effectively shaping functional areas within open-plan environments. In contexts such as lobbies or shared workspaces, this design facilitates the creation of informal meeting zones or waiting areas that are clearly defined without being physically enclosed. The addition of a grooved texture enhances its visual appeal, subtly interacting with light throughout the day and introducing a nuanced shift that helps to break down the perceived scale of larger interiors, adding depth and interest.

A core characteristic of these dynamic spaces is their inherent capacity for change. Layouts are expected to evolve, functions adapt, and elements must remain flexible over time. A truly robust interior design is one where furniture can be easily dismantled, repaired, or repurposed without leaving a lasting impact. This is where the principles of construction and material science converge with spatial design philosophy. Seating systems, such as the Nuez Lounge BIO®, are specifically engineered for disassembly without adhesives, allowing individual components to be repaired, reupholstered, recycled, or reconfigured. This modularity supports a more adaptable approach to interiors, ensuring their longevity and continued relevance. As Urquiola emphasizes, the primary focus is on "simplified disassembly options that can extend the product's life cycle," promoting a sustainable and forward-thinking design paradigm.

BIO® thermopolymer contributes significantly to this ethos, not only through its environmental attributes—being recyclable, biodegradable, and compostable—but also by seamlessly integrating structure, surface, and color into a single material. This holistic approach reduces the need for multiple layers and components, leading to enhanced continuity and longevity over time. Within vast, open-plan interiors, the overall spatial experience is meticulously crafted through a series of interconnected design decisions. Seating, in this context, plays a crucial role as one of many elements contributing to the overarching architectural scheme. Fixed boundaries become less prevalent, and spatial definition is instead distributed across various interconnected layers: material composition, color palette, surface texture, individual objects, and their precise placement. This creates an environment that is both flexible and finely articulated.

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OMA's David Gianotten on Salone Contract: Fostering Collaborative Design Environments

During the 64th Salone del Mobile in 2026, a pivotal shift in the global design industry was highlighted, moving beyond traditional production methods towards more integrated and cooperative frameworks. This transition was marked by the debut of "Salone Contract," a visionary initiative spearheaded by Rem Koolhaas and David Gianotten of OMA. This new program seeks to redefine the design landscape by fostering an ecosystem where collective knowledge and collaborative efforts are paramount, moving away from a singular focus on object creation.

David Gianotten elaborated on the strategic underpinnings of "Salone Contract" during a discussion with ArchDaily's editorial team. He explained how this master plan, a brainchild of OMA, is a direct response to the evolving demands within the design field. The goal is to cultivate an environment that supports comprehensive systems and encourages a deeper level of collaboration among participants, ultimately aiming to facilitate a more dynamic and interactive exchange of ideas and expertise.

This initiative represents a progressive step for the design industry, advocating for a future where design is not merely about creating objects but about building integrated systems through shared knowledge and collective creativity. By embracing collaborative frameworks, "Salone Contract" aims to drive innovation and address complex design challenges more effectively, setting a new standard for design fairs and industry practices worldwide.

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