Brazilian Architecture Biennial Showcases Innovative Pavilions Blending Tradition and Technology









The inaugural Brazilian Architecture Biennial, held in São Paulo's Ibirapuera Park, highlights three innovative pavilions designed by Superlimão, H2C Arquitetura, and Vida de Vila. These structures, displayed as part of the 'Pátio Metrópole' exhibition adjacent to Oscar Niemeyer's Pavilion of Brazilian Culture, demonstrate a fusion of ancient wisdom and cutting-edge technology. Each design thoughtfully addresses Brazil's diverse climate, showcasing how architectural solutions can be both culturally rooted and forward-thinking.
Superlimão's contribution, named Casa Superlimão, stands out for its use of 3D-printed concrete, a method not yet widely adopted in Brazil. The pavilion's core structure draws inspiration from the natural form of banana leaf stems, reflecting a 'biomimetic' approach that integrates nature's designs into modern construction. This concept is further enhanced by an engineered wood roof, featuring an oculus, and a contemporary reinterpretation of 'cobogó,' traditional ventilating breeze blocks. Additionally, recycled PET wool forms part of its wall sections, emphasizing sustainable practices.
Lula Gouveia, a partner at Superlimão, articulated the studio's vision, stating that architecture has always been a response to environmental conditions, geographical characteristics, and available resources. He noted that many traditional solutions emerged from this inherent constructive intelligence. The project, according to Gouveia, revisits this historical knowledge and integrates it with current technological advancements, aiming to create structures that resonate with the Brazilian identity, irrespective of regional differences.
Echoing the theme of vernacular architecture, Vida de Vila presented Casa Trussardi, a pavilion inspired by traditional building techniques from northern Brazil. This structure utilizes 'taipa' cladding, a local earthen material, to showcase modern interpretations of classic Brazilian construction methods. The pavilion features a thatched roof that allows for airy interiors, structural elements crafted from reclaimed wood, and earthen tiles on its floor. An exterior rammed-earth partition further defines this house-like dwelling.
Vida de Vila emphasized that Casa Trussardi embodies their recent research and practices in earthen architecture, highlighting the use of natural materials and the incorporation of ancestral building knowledge into contemporary design. The third pavilion, Casa Leve by H2C Arquitetura, in collaboration with French automotive company Renault, focuses on lightweight, transportable structures. It incorporates a demountable system, similar to Casa Superlimão's ceiling, where various wooden components are arranged in a reciprocal support system.
The structural framework of Casa Leve, composed of cross-hatched marine plywood, forms a tunnel enveloped by a high-performance tensioned membrane made from composite fabric, resembling a 'skin.' This design was conceptualized to explore the capabilities of light and portable architectural forms. All three architectural firms underscored their commitment to the mission of the Brazilian Architecture Biennial (BAB), which, in its inaugural year, aims to present architecture as an experiential journey, inviting visitors to engage with spaces that articulate Brazil's territory, materiality, technology, and daily life.
The Biennial's co-founder, Raphael Tristão, described the event as a comprehensive program, encouraging attendees to immerse themselves, circulate, pause, and reconsider the elements that define Brazilian culture and ways of living. The event provides a unique platform for architects to blend historical insights with modern innovations, creating a dialogue between past and present architectural practices.