Architecture News

Bloqe Architectura's Barrel-Vaulted Apartments with Rooftop Gardens Redefine Mexico City Living

Bloqe Architectura has unveiled an innovative apartment complex in Mexico City, featuring distinctive barrel-vaulted living spaces that seamlessly open onto lush rooftop gardens, offering panoramic views of the urban landscape. Named Mariano Azuela 194, this slender structure is situated on a mid-block infill plot within the historic Santa María district, an area celebrated for its late 19th and early 20th-century architectural heritage. The design philosophy aimed to forge a timeless and neutral architectural identity that not only respects its historical surroundings but also fosters a sense of tranquility and introspection through a series of interior courtyards. This approach sought to create a harmonious dialogue between the past and present, providing a peaceful retreat for its inhabitants.

The building's facade, characterized by its narrow profile, incorporates vertical windows and a dark-toned garage door, with upper-level balconies thoughtfully recessed behind large, sand-colored concrete dividers. Internally, the four-story development is organized into four distinct blocks, interspersed by three patios, each crowned with a barrel vault running parallel to the street. Access to the apartments is facilitated by two gracefully curved staircases located between the first and fourth bays, complemented by a unique spiral staircase crafted from green metal that descends into the apartment below, adding an artistic touch to the communal spaces. The project champions the use of locally sourced materials and traditional craftsmanship, resulting in a natural color palette that includes earthen wall finishes, handcrafted bricks, and exquisite domestic marbles, all contributing to an aesthetic that honors traditional Mexican architecture.

A significant construction challenge involved the creation of the barrel vaults, each necessitating specialized arch-shaped formwork to achieve the delicate concrete shell. These vaults terminate at one end with a wooden storage wall that discreetly conceals a compact bathroom, while the opposite end opens through an arched glass wall to a generous square terrace. The rooftop terraces present an engaging urban panorama, contrasting with the more secluded and peaceful interstitial patios on the ground level. These verdant spaces are integral to the design, acting as transitional zones between the indoor and outdoor environments, and crucially, ensuring optimal natural lighting and ventilation throughout the complex. The architects emphasize the importance of creating timeless architecture through natural materials, abundant natural light, and traditional elements such as lattice screens, courtyards, handmade bricks, and precise geometries. This project's architectural language adeptly responds to the site's urban intricacies, establishing a continuity with historical facades and integrating the barrel vaults into the rooftop gardens, thereby crafting spaces that invite contemplation of the urban context.

Through thoughtful design and a deep respect for its historical and cultural context, Mariano Azuela 194 exemplifies how contemporary architecture can enhance urban living by fostering a sense of community, privacy, and connection to nature. This development not only provides sophisticated living spaces but also contributes positively to the urban fabric, promoting a lifestyle that is both sustainable and enriching. It stands as a beacon of innovative design, demonstrating how architectural ingenuity can transform challenges into opportunities for creating spaces that inspire and uplift, fostering a deeper appreciation for beauty, heritage, and well-being within a bustling metropolis.

Stella di Pila: A Landmark Cable Car Station in the Italian Alps

Studio di Architettura De Carlo Gualla has unveiled the Stella di Pila cable car station, an architectural masterpiece nestled high in the Italian Alps. Perched at an elevation of 2,723 meters, this structure is more than just a transit point; it's a testament to integrated design, offering breathtaking panoramic vistas and serving as a prominent landmark within the Aosta Valley's majestic landscape. The design philosophy behind Stella di Pila transcends mere utility, aiming to create a significant spatial experience that resonates with its natural surroundings. This station beautifully marries innovative architecture with the rugged beauty of the mountains, transforming a functional infrastructure into an iconic destination.

The Stella di Pila station’s design is a thoughtful homage to its Alpine environment, specifically drawing inspiration from the delicate edelweiss flower. Its distinctive, jagged form is not just aesthetically pleasing but also strategically engineered to frame specific, awe-inspiring views of the surrounding peaks, including the formidable Mont Blanc and the Matterhorn. The building ingeniously integrates a cable car station, public amenities, and a panoramic restaurant and bar within its seven 'petals,' each oriented to maximize the scenic outlook. This careful consideration of form and function ensures that every visitor experiences a profound connection with the Alps, whether arriving for skiing or simply to admire the unparalleled beauty.

An Architectural Marvel Rooted in Alpine Aesthetics

The Stella di Pila cable car station, designed by Milan-based Studio di Architettura De Carlo Gualla, stands as a remarkable example of how infrastructure can transcend its utilitarian purpose to become an integral part of the landscape. Located at a staggering height of 2,723 meters in the Italian Alps, this station is not just a gateway to the mountains but a destination in itself. Its design, characterized by a distinct jagged form, directly mirrors the natural geometry of the edelweiss flower, a symbol of the Alps. This conscious choice in form ensures that the structure feels organic and intentional within its environment, rather than an anonymous imposition. The orientation of each 'petal' of the building is meticulously aligned with prominent peaks like Gran Paradiso, Grande Rousse, Mont Blanc, and the Matterhorn, transforming the act of waiting for a cable car into an immersive viewing experience.

This architectural approach extends beyond mere aesthetics, aiming to create a spatial experience that deeply connects visitors with the awe-inspiring grandeur of the Aosta Valley. As co-founder Andrea Gualla articulated, the ambition was to craft a structure that generates identity and spatial meaning, avoiding a purely functional intervention. The station's unique geometry, inspired by the edelweiss and the logic of a compass rose, ensures that every angle offers a carefully curated vista. A dramatic cantilevered petal serves as a viewing platform, projecting outwards into the void to provide an unobstructed, direct view of the Matterhorn. This thoughtful design not only enhances the visitor's interaction with the Alpine landscape but also establishes Stella di Pila as a landmark that harmonizes with its majestic surroundings, blending innovative design with the timeless beauty of the Italian Alps.

Designing for Functionality and Sustainability in Extreme Conditions

Beyond its striking appearance, the Stella di Pila cable car station by Studio di Architettura De Carlo Gualla represents a triumph of engineering and sustainable design, crafted to endure the rigorous conditions of its high-altitude Alpine setting. The building's functional layout is as ingenious as its exterior, with the cable car facilities and public restrooms occupying two of its seven distinct petals. The remaining petals are dedicated to a panoramic restaurant and bar, designed to offer an elevated dining experience with unparalleled views. The central kitchen is ingeniously encircled by a curved bar, snack bar, and self-service counters, optimizing efficiency and flow. Seating areas extend into the glazed petals, where rising ceilings enhance the sense of space and frame the dramatic mountain vistas, complemented by an outdoor balcony and an additional mezzanine level for indoor seating.

Designing a structure at 2,750 meters presents unique challenges, where climate and logistical constraints are not merely obstacles but fundamental forces shaping the architectural solution. The studio prioritized creating a robust yet visually light structure capable of withstanding extreme weather without compromising its clarity and precision. Sustainability was integrated throughout the project, featuring grey water and rainwater recovery systems, underscoring a commitment to environmental responsibility. This focus on longevity and resilience reflects a philosophy where sustainability is intrinsically linked to durability, ensuring the station's continued functionality and positive impact. Furthermore, the modernization of obsolete lift systems improves operational efficiency and promotes year-round site utilization, demonstrating a holistic approach to design that balances aesthetic innovation with ecological consciousness and practical endurance in the demanding Alpine environment.

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Barbara Buser Honored with Jane Drew Prize for Contributions to Circular Architecture

Swiss architect Barbara Buser has been recognized with the 2026 Jane Drew Prize, an accolade celebrating her profound influence on architectural discourse and practice, particularly in championing women's roles and advancing sustainable building reuse methodologies. Her foundational work in establishing various innovative studios has consistently emphasized the importance of a circular economy within the construction industry. This esteemed award highlights Buser's long-standing commitment to environmental responsibility and her visionary leadership, underscoring her status as a trailblazer who has significantly shaped contemporary architectural thought and practice. Her efforts have not only pushed the boundaries of adaptive reuse but have also inspired a new generation of architects to consider the ecological footprint of their designs, fostering a more sustainable future for the built environment.

Separately, the Ada Louise Huxtable Prize was awarded to British artist and curator Lubaina Himid. This prize acknowledges individuals from fields outside architecture who have made significant contributions to the discipline. Himid's work, particularly her involvement in the British Black Arts Movement and her role in curating exhibitions that showcased Black artists, challenges conventional perspectives on who designs and inhabits our cities. Her art serves as a powerful commentary, promoting a more inclusive understanding of spatial practice and advocating for marginalized voices within the architectural dialogue. Himid's recognition highlights the intersectionality of art, social justice, and urban development, emphasizing how cultural expressions can profoundly influence and critique the built world.

Pioneering Circular Construction and Adaptive Reuse

Barbara Buser, a distinguished Swiss architect, has been honored with the prestigious 2026 Jane Drew Prize, acknowledging her groundbreaking efforts in sustainable building practices and her pivotal role in promoting women within the architectural profession. Through her co-founding of numerous influential studios, including Bauteilbörse, Baubüro In Situ, Denkstatt Sàrl, Unterdessen, and Zirkular, Buser has consistently championed the principles of adaptive reuse and circular construction. Her work has redefined how building materials are perceived and utilized, advocating for their careful stewardship as finite resources. This holistic approach ensures that components are integrated into an ongoing cycle of assembly and reassembly, thereby minimizing waste and maximizing resource efficiency. Her visionary leadership has not only established new paradigms in environmentally conscious design but has also inspired widespread adoption of these practices across the industry.

Buser's impact extends beyond individual projects; she has created a comprehensive ecosystem for circular construction through her various ventures. Bauteilbörse, a building parts exchange, exemplifies her commitment to facilitating the reuse of architectural elements, transforming what might be considered waste into valuable resources for new constructions. Her involvement with Baubüro In Situ and Denkstatt Sàrl further underscores her dedication to integrated urban planning and architectural design that prioritizes sustainability. The initiative Unterdessen, which promotes the temporary use of vacant private property, showcases her innovative thinking in optimizing existing urban spaces. Moreover, Zirkular, her circular construction planning office, offers specialized expertise in implementing these sustainable methodologies. Manon Mollard, editor of The Architectural Review, aptly noted that Buser's foresight in treating building materials as finite resources was remarkably ahead of its time, emphasizing that her recognition for these invaluable contributions is long overdue. This array of initiatives collectively demonstrates Buser's profound and lasting influence on shaping a more sustainable and resource-efficient built environment.

Celebrating Diverse Contributions to Architecture

The Jane Drew Prize, a key component of the W Awards (formerly known as the Women in Architecture Awards), annually celebrates architects who have made significant contributions to the field, particularly in advancing the role of women. Barbara Buser's receipt of the 2026 prize places her among a distinguished group of past winners, including Anne Lacaton, Iwona Buczkowska, Kate Macintosh, Yasmeen Lari, and Zaha Hadid, all of whom have left indelible marks on modernist architecture and beyond. These awards, established by The Architectural Review and Architects' Journal, serve as crucial platforms for highlighting the achievements of women in a historically male-dominated profession, thereby fostering greater equity and recognition within the global architectural community.

In parallel, the Ada Louise Huxtable Prize, another significant component of the W Awards, honors individuals whose work from adjacent disciplines enriches and informs architecture. This year, the prize was awarded to British artist and curator Lubaina Himid, recognizing her profound influence on architectural discourse. Himid, a prominent figure in the British Black Arts Movement of the 1980s and the first Black artist to win the Turner Prize in 2017, has consistently challenged conventional narratives through her art. Her curatorial efforts introduced Black artists and communities to wider audiences, and her artworks often explore themes of identity, power, and representation within built environments. Eleanor Beaumont, deputy editor of The Architectural Review, highlighted that Himid’s work prompts architects to critically examine whose voices are heard in the design of homes and cities. Himid’s artistic practice, by offering a platform to those systemically marginalized, provides an alternative spatial perspective that enriches architectural dialogue and encourages a more inclusive and equitable approach to urban planning and design.

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